I, there, here is a photographic exhibition of a personal journey of searching for one’s own identity through selected works which have been created over the decade.
Moving from one place to another is excitement with the curiosity of life and an unexpected adventure. At the same time, it is an emotional challenge to depart the familiarity of people and place that are known for years and find a new place to stand. This social and cultural dislocation brings the absence of being an individual identity in a new community.
In this exhibition, I have tried to bring this invisible absence of being into visible proof of the existence through body language and landscape. The self performing image is a reflection on the situation I am experiencing and the space where I am interacting. And these symbolic gestures expend to the current issues addressing the notion of humanity. The space explores the traces and memories contained within.
I would like to connect the viewers with my journey using the visual language through this exhibition.
Serenity series is the photographs taken in my hometown in Korea. This disaster of a fire from an unknown cause erases the marks and memories of the space but creates a serene atmosphere. The newly built building is expected to start a new story within this place.
Dreamfield I depicts my first encounter with Australia as an expatriate, overlapping my body language and the Australia landscape. The blending and shifted colour with crossing processing technique expresses emotional colour rather than real colour of the landscape.
Easter Picnic, Hope is the artist’s journey for hope which based on my own experience of an injury. Referencing on Edouard Manet’s painting The luncheon on the grass (Dejeuner sur l’Herbe 1862), I insert myself who was injured into the photography and another of myself who was recovered one year later. These two wrapped faces symbolise the unforseen and unexpected future. The Easter represents the time of hope after overcoming the obstacle and hardship in the artist’s journey.
Cadavre Exquis I is a montage interpretation of my identity based on personal preference. I depicted this ideal fantasy and dream in the way that I approached the drawing ‘Cadavre Exquis’. The title, meaning ‘exquisite corpse’ comes from a technique used by the Surrealists to create a collage of words or images, which each participant is only capable of seeing the end of the previous word or image as contributed by previous person. This technique is reflected in the process of creative collaboration under the same name, which I have employed in this project.
This montage image is applied as dissected physical body parts in confined boxes to exam a physical identity in Cabinet of Curiosities of Identity, as cuts and layers to rearrange the figure in Madonna, Munch, Self and as multiplied or divided several ‘I’s to express confused identities through dislocation in Self, with flowers.
Those perceived identities in current society of vast information is examined in 3 Wise Monkeys. The online platforms such as Facebook and Instagram influences the way of perceiving ideas and information through the instant reception of photographs and words. This leads to an illusive reality with preconceptions, rumours and misunderstandings and even results in violence. I appeals to step forward with clear vision of the mind like these 3 wise monkeys.
This silence of ‘no speak’ of 3 Wise Monkeys, is explained further in I want to be in Peace not in Silence. Sheep have a general concept of meek and mild animals with a peaceful manner but they have horns to protect themselves and fight against any harm which might affect them. The society with acquiescent silence without speaking out truth and unfairness would create illusive and temporary peace and is expected to collapse eventually. Covering myself with a sheep skin, I am shouting for true peace.
In DUST series, dust symbolise the invisible harm factor, resulting in the victim of unfair treatment against human rights; We breathe the dust polluted air of the development without concerning the nature environment and human condition; Victims of violence of terror are covered with dust from the destruction of buildings. I try to remove the dust and cover myself with plastic sheets for the protection but the thick layers of dust stays within me.
Birds represent possible harm factor in Bird Net as bird net is used for protecting plants from birds. In this global society, the closed boundary under the name of protection for each nation, can result conflicts as a form of extreme nationalism and racism. These conflicts have been reiterated through the history in the world. It might suggest the conflict in human nature of belonging and intolerance of being different. Birds take fruits from trees and spread the seed to grow the next generation of trees and it keeps flowing the life circle of nature. The open cultural exchange would generate more beneficial profits for each country and individuals to grow future development if we blur the boundary with a harmonious solution.
The most recent work, The Birth restates Michelangelo’s fresco painting, Creation of Adam in which God breathes life into Adam as the first human being who is described as a male body figure. The Birth illustrates two identical human figures who create an egg together and it’s result is symbolized by the family of chickens. An egg also is described as the symbol of birth of almighty human being in Korean myth of the founder of Silla dynasty in which the King Bak Hyeokgeose was born from an egg.
Artist and Curator, Soyoun Kim
Exhibition : 5 February – 2 March 2019 Ladder Art Space Melbourne Australia